Imo blues is cliched almost by definition because artists who break the cliches get classified into different genres, but it doesn't mean they aren't still playing blues. In general, probably try and take some inspiration from blues-adjacent genres like funk, soul, or certain kinds of rock. Pages: 15 Preview Full text Download & View Famous Blues Bass Lines.pdf as PDF for free. I also think that lots of the music coming out of Memphis in the late 60s/early 70s is essentially blues and often has interesting non-cliched playing (e.g. Download & View Famous Blues Bass Lines.pdf as PDF for free. Take a look at Pino Palladino playing with John Mayer for good examples of this. So you can kind of play whatever melodic licks you want as long as they're mostly using chord tones and don't clash with the guitar. Something that is nice about blues is that everyone knows what the chord progression should be, so you have a little more freedom to play melodically without cleanly leading into the root of the next chord all the time. For the first one, go listen to New Orleans funk and see what they are doing they rarely stray too far from blues chord progressions. One thing that helps with the second one is trying to do a call-and-response with the singer or lead guitar. I think you need to do a combination of two things: play more syncopated funky rhythms for effect (may or may not fly with your band), and play different sections of the song in different places on the neck and different octaves.
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